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The Most Wondrous Things at the Milan Furniture Fair

By Julie Lasky

Andrea Wyner
 
Upcycle Chic

A persistent paradox of the design fair is the creation of so much stuff in a world overburdened with waste. Some designers met this challenge by turning castoffs into high-end products. Paola Navone, an Italian designer, pictured here, teamed up with Corsi Design to create One Off chairs that were plucked from curbsides and secondhand shops and wrapped in playful, resin-coated bandages. (From €1,000; corsidesign.it)

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Andrea Wyner
 
Upcycle Chic

Eileen Fisher, the clothing brand, which turns unsold garments into lush wall hangings and pillows, showed work by the project’s creative director, Sigi Ahl, above, with ghostly clothes plastered to the surface. It was inspired by the 1980s paintings of David Salle. (€8,000; eileenfisher.com)

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Carbon Copies

Iconic designs were remade in more earth-friendly materials. The Emeco 1006 Navy chair, originally made 75 years ago in aluminium because it didn’t rust or sink, now comes in wood. (Available in May, US$700 to US$1,000; emeco.net)

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Carbon Copies

Kartell’s Camponobili storage unit, introduced in 1969, has a new life in bioplastic. The plant-based polymer is biodegradable and comes in pastel colours. (Available in May, US$290; kartell.com)

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Misshapes

Not since the 1990s have we seen so many biomorphic shapes. Even Molteni, an Italian company known for its clean contemporary lines, has joined the fun with Surf, a blob-shaped couch designed by Yabu Pushelberg. (Available in July, US$9,745 for the version shown; molteni.it)

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Misshapes

Free-form designs spilled onto rugs. Joost van Bleiswijk, a Dutch designer, creates Dadaist carpets inspired by ripped-up paper fragments. (nodusrug.it)

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Looney Tunes

Designers also adopted cartoonish shapes that vied for attention. Mattiazzi, an Italian firm, showcased Fronda, a collection of chairs and stools that channel chunky primitivism. (mattiazzi.eu)

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Looney Tunes

Conde House, a Japanese furniture maker, showed an upholstered oak chair called Nupri that looks like an airplane seat in the age of the Jetsons. (condehouse.com)

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Plant-Based Wares

Plants and floral patterns were spotted throughout the fair. Pietro Sedda, a Milanese tattoo artist, created a set of botanical-themed plates and other designs for the German dinnerware company Rosenthal. (Cilla Marea plate for US$100; rosenthal.de)

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Plant-Based Wares

Mosaic tile flora also bloomed on the walls of Bisazza’s new flagship store in the Brera District. Carlo Dal Bianco designed both the patterns and the space. (bisazza.it)

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Mining the ’70s

The glamour of 1970s Art Deco is having a moment. Consider the UpTown floor lamp designed by Ferrucio Laviani for Foscarini. This disco tower of tricolour glass evokes the Empire State Building. (US$3,953 to US$5,908; foscarini.com)

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Mining the ’70s

Likewise, the tubular chrome and leather Coda chair by Atelier Troupe recalls 1970s Hollywood by way of the machine age. (From $8,000; atelierdetroupe.com)

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More Memphis

Designers continue to draw inspiration from the ’80s. Six, a design gallery in Milan, paid tribute to Ettore Sottsass, the father of the Memphis movement, with totemic ceramic sculptures. (Available in the fall, €650 to €890, bitossihome.it)

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Andrea Wyner
 
Alchemy

Designers are mixing and matching materials that defy traditions. Apparatus, the New York studio, showed armoires, tables and lamps made from hand-dyed eel skin, Carpathian burl, Patagonia marble, shagreen and beaded embroidery on brass mesh. (Interlude collection, pieces starting at $32,000; apparatusstudio.com)

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Andrea Wyner
 
Knitting Factory

Our desire for coziness knows no limits. Missoni, the Italian knitwear label, yarn-bombed a house worth of vintage items, including TV sets, a double bed and chandeliers, under the direction of Angela Missoni, above. Asked how long it took to crochet everything, Alessandra Roveda, the artist, said she didn’t think in terms of days or years but in “television series.” (Objects for sale at Galleria Paola Colombari)

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Fashion Week?

Fashion brands have become an unmistakable force at the fair. Hermès took over a former jai alai court in the Brera District with jungly wallpaper and a giant brick maze. Marni built a dystopian playground with slides and colourful furniture. Cos 3-D-printed a lacy outdoor pavilion. Versace turned its mansion on Via Gesù into a tropicalia fantasy. And Louis Vuitton unveiled its latest Objets Nomades collection at Palazzo Serbelloni, above, a Neoclassical palace where Napoleon once spent several months with Josephine. Maybe you’ve seen it on Instagram?

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The winding staircase of the Palazzo Serbelloni was jammed with visitors photographing the bulbous Venezia lamps that Marcel Wanders designed for Louis Vuitton. The designers at the International Furniture Fair in Milan have long figured out that the 386,000 who attended this month are a tiny slice of the real audience, who live on Instagram.

Under continual pressure to pump out fresh goods, design companies now rely on photogenic displays to mask the distinction between old and new products. Substance is giving way to spectacle. And if that doesn’t bode well for innovation, it does make for a heck of a party.

Earth-friendly materials, bizarre shapes and coziness were among the themes. Above, all the highlights.